Damp
Damp

rawing on Heritage Rag paper with watercolour, 160.5 x 109cm, 2015

Exit the Amateur of First Editions, Enter the Artist of Endless Rendition
Exit the Amateur of First Editions, Enter the Artist of Endless Rendition

2013

Silver gelatin print of a digitally manipulated transparency negative on Ilford Multigrade IV RC, bent metal rods, magnets

126.5 x 110cm

 

Strawberry in the Wind, Leaf in Vomit
Strawberry in the Wind, Leaf in Vomit

2013

70.5 x 60.5cm, 155 x 113.5cm

Green and chestnut toned silver gelatin prints on Ilford Multigrade IV RC paper, iron bars and rod, magnets

I Would do Anything for Wood but I Won’t do That
I Would do Anything for Wood but I Won’t do That

2013

68.5 x 64.5cm

Sulphur toned silver gelatin print on Ilford Multigrade IV RC paper, Bulldog clips, magnets

Benefits of Feeding
Benefits of Feeding

2013

Silver gelatin print of digitally manipulated transparency negatives, cut into two pieces, on Ilford Multigrade IV RC chemically toned in iron and copper, bulldog clips, magnets

79.5 x 122cm

 

Double Negative
Double Negative

2013

Silver gelatin prints from digital inkjet transparencies on FB paper, toned in potassium ferricyanide

180 x 130cm, 155 x 130cm

 

Untitled
Untitled

Silver gelatin prints on FB paper, toned in cobalt

200 x 130cm, 80 x 40cm

Splat the Rat
Splat the Rat

Silver gelatin print on FB paper, partially toned in Sepia, 210 x 128 cm, 2013

Untitled
Untitled

Silver gelatin print of digital negative transfer on RC paper, toned in copper, sepia, cobalt, 125 x 200cm, 2013

Easy is a One-of-a-kind Rule and This is a One-of-a-kind Thumb
Easy is a One-of-a-kind Rule and This is a One-of-a-kind Thumb

2013

Silver gelatin print of digitally manipulated transparency negative on Ilford Multigrade RC paper, chemically toned in sepia sulphide, bent steel bar, steel bars, stone-effect spray paint

68.5 x 88cm

Easy is a One-of-a-kind Rule and This is a One-of-a-kind Thumb (detail)
Easy is a One-of-a-kind Rule and This is a One-of-a-kind Thumb (detail)
Exit the Amateur of First Editions, Enter the Artist of Endless Rendition (detail)
Exit the Amateur of First Editions, Enter the Artist of Endless Rendition (detail)
The Safety of Facts and Dry Kissing
The Safety of Facts and Dry Kissing

2012

Silver gelatin print of a digitally manipulated transparency negative on Ilford Multigrade Art 300, Chemically toned in iron sulphate, iron rods, magnets

57 x 73cm

Mother-Naked (Conch)
Mother-Naked (Conch)

2012

Silver gelatin print of a digitally manipulated transparency negative on Ilford Multigrade RC paper, chemically toned in copper, metal rods, magnets

132.5 x 102cm

Easy is a One-of-a-Kind Rule (hospital gown)
Easy is a One-of-a-Kind Rule (hospital gown)

2012

Silver gelatin print of a digitally manipulated transparency negative on Ilford Multigrade RC paper, chemically toned in copper, bent steel rod, steel bar, magnets

88 x 69cm

Another Pair of Silk Stockings (green)
Another Pair of Silk Stockings (green)

2012

Silver gelatin print of a digitally manipulated transparency negative on Ilford Multigrade Art 300 paper, chemically toned in iron, steel bars, magnets

Another Set of Shelves (Sepia)
Another Set of Shelves (Sepia)

2012

Silver gelatin print of digitally manipulated transparency negative on Ilford Multigrade Art 300 paper, chemically toned in sepia sulphide, bent steel rod, iron bars, magnets

100 x 70cm

Another Bunch of Grapes
Another Bunch of Grapes

2012

Silver gelatin print from digitally manipulated inkjet transparency negative on Ilford Multigrade Art 300 FB paper, chemically toned in cobalt

100 x 60cm

Untitled
Untitled

2012

Silver gelatin print from digitally manipulated inkjet transparency print on Ilford Multigrade Art 300 paper, chemically toned in copper

110 x 70cm

Mother-naked (coral)
Mother-naked (coral)

2012

Silver gelatin print from inkjet transparency negative on Ilford Multigrade IV RC paper, bars from photocopying machine, magnets

200 x 134cm

When Like Breeds Like and Familiarity Breeds Contempt
When Like Breeds Like and Familiarity Breeds Contempt

2012

Silver gelatin print from digitally manipulated inkjet transparency negative on Ilford Multigrade Art 300 FB paper

122 x 180cm

The Confounding Mystery Of The Passage Of the Revelation Into The Mist Of Legend
The Confounding Mystery Of The Passage Of the Revelation Into The Mist Of Legend

2010

Gesso and oil on found object (card table)

44.5 x 61.5cm

Crooked Wood
Crooked Wood

2010

Oil and gesso on canvas

 

Drink Deep Or Taste Not The Plasma Spring
Drink Deep Or Taste Not The Plasma Spring

2010

Digital print on porcelain

13 x 10cm

You Cannot Eat an Image and an Image Cannot Eat You
You Cannot Eat an Image and an Image Cannot Eat You

2011

Silver gelatin print of englarged, digitally manipulated transparency negatives on Ilford Multigrade IV RC paper in four sections

144 x 188cm

Solid Body
Solid Body

2011

Silver gelatin print from digitally manipulated inkjet transparency negative on Ilford Multigrade IV RC paper

90 x 70cm

Worm is to Flesh as Flesh is to Worm
Worm is to Flesh as Flesh is to Worm

2010

Digital painting on scanned photographic original, inkjet print mounted on foamcore

170 x 133xm

Pain into Pleasure, Grief into Glory
Pain into Pleasure, Grief into Glory

2011

Silver gelatin photogram on Ilford Multigrade IV RC paper

30 x 40cm

The Merry Cemetery
The Merry Cemetery

2011

Silver gelatin photogram on Ilford Multigrade IV RC paper

83 x 70cm

Nothing Has Ever Been Square Because Nothing Has Ever Been Straight
Nothing Has Ever Been Square Because Nothing Has Ever Been Straight

2011

Silver gelatin photogram on Ilford Multigrade IV RC paper

68 x 70cm

Carcass
Carcass

2009

Gesso and graphite on archival box

65 x 80 x 18cm

Great Originals Die Like Romantic Heroes
Great Originals Die Like Romantic Heroes

2009

Oil and gesso on found print of a photograph of a room in the house of the Russian collector Morozov

One Would Almost Swear I Possess The Real Quality Of Subtle Vegetable Material
One Would Almost Swear I Possess The Real Quality Of Subtle Vegetable Material

2009

63 x 53.5cm

Oil on appropriated framed Tretchikoff print

Motion of the Flesh, Path of the Fibre, Course of the Blood
Motion of the Flesh, Path of the Fibre, Course of the Blood

2010

Framed Epson print mounted on foamcore of digital painting on scanned photographic original

240 x 164cm

Damp
Exit the Amateur of First Editions, Enter the Artist of Endless Rendition
Strawberry in the Wind, Leaf in Vomit
I Would do Anything for Wood but I Won’t do That
Benefits of Feeding
Double Negative
Untitled
Splat the Rat
Untitled
Easy is a One-of-a-kind Rule and This is a One-of-a-kind Thumb
Easy is a One-of-a-kind Rule and This is a One-of-a-kind Thumb (detail)
Exit the Amateur of First Editions, Enter the Artist of Endless Rendition (detail)
The Safety of Facts and Dry Kissing
Mother-Naked (Conch)
Easy is a One-of-a-Kind Rule (hospital gown)
Another Pair of Silk Stockings (green)
Another Set of Shelves (Sepia)
Another Bunch of Grapes
Untitled
Mother-naked (coral)
When Like Breeds Like and Familiarity Breeds Contempt
The Confounding Mystery Of The Passage Of the Revelation Into The Mist Of Legend
Crooked Wood
Drink Deep Or Taste Not The Plasma Spring
You Cannot Eat an Image and an Image Cannot Eat You
Solid Body
Worm is to Flesh as Flesh is to Worm
Pain into Pleasure, Grief into Glory
The Merry Cemetery
Nothing Has Ever Been Square Because Nothing Has Ever Been Straight
Carcass
Great Originals Die Like Romantic Heroes
One Would Almost Swear I Possess The Real Quality Of Subtle Vegetable Material
Motion of the Flesh, Path of the Fibre, Course of the Blood
Damp

rawing on Heritage Rag paper with watercolour, 160.5 x 109cm, 2015

Exit the Amateur of First Editions, Enter the Artist of Endless Rendition

2013

Silver gelatin print of a digitally manipulated transparency negative on Ilford Multigrade IV RC, bent metal rods, magnets

126.5 x 110cm

 

Strawberry in the Wind, Leaf in Vomit

2013

70.5 x 60.5cm, 155 x 113.5cm

Green and chestnut toned silver gelatin prints on Ilford Multigrade IV RC paper, iron bars and rod, magnets

I Would do Anything for Wood but I Won’t do That

2013

68.5 x 64.5cm

Sulphur toned silver gelatin print on Ilford Multigrade IV RC paper, Bulldog clips, magnets

Benefits of Feeding

2013

Silver gelatin print of digitally manipulated transparency negatives, cut into two pieces, on Ilford Multigrade IV RC chemically toned in iron and copper, bulldog clips, magnets

79.5 x 122cm

 

Double Negative

2013

Silver gelatin prints from digital inkjet transparencies on FB paper, toned in potassium ferricyanide

180 x 130cm, 155 x 130cm

 

Untitled

Silver gelatin prints on FB paper, toned in cobalt

200 x 130cm, 80 x 40cm

Splat the Rat

Silver gelatin print on FB paper, partially toned in Sepia, 210 x 128 cm, 2013

Untitled

Silver gelatin print of digital negative transfer on RC paper, toned in copper, sepia, cobalt, 125 x 200cm, 2013

Easy is a One-of-a-kind Rule and This is a One-of-a-kind Thumb

2013

Silver gelatin print of digitally manipulated transparency negative on Ilford Multigrade RC paper, chemically toned in sepia sulphide, bent steel bar, steel bars, stone-effect spray paint

68.5 x 88cm

Easy is a One-of-a-kind Rule and This is a One-of-a-kind Thumb (detail)
Exit the Amateur of First Editions, Enter the Artist of Endless Rendition (detail)
The Safety of Facts and Dry Kissing

2012

Silver gelatin print of a digitally manipulated transparency negative on Ilford Multigrade Art 300, Chemically toned in iron sulphate, iron rods, magnets

57 x 73cm

Mother-Naked (Conch)

2012

Silver gelatin print of a digitally manipulated transparency negative on Ilford Multigrade RC paper, chemically toned in copper, metal rods, magnets

132.5 x 102cm

Easy is a One-of-a-Kind Rule (hospital gown)

2012

Silver gelatin print of a digitally manipulated transparency negative on Ilford Multigrade RC paper, chemically toned in copper, bent steel rod, steel bar, magnets

88 x 69cm

Another Pair of Silk Stockings (green)

2012

Silver gelatin print of a digitally manipulated transparency negative on Ilford Multigrade Art 300 paper, chemically toned in iron, steel bars, magnets

Another Set of Shelves (Sepia)

2012

Silver gelatin print of digitally manipulated transparency negative on Ilford Multigrade Art 300 paper, chemically toned in sepia sulphide, bent steel rod, iron bars, magnets

100 x 70cm

Another Bunch of Grapes

2012

Silver gelatin print from digitally manipulated inkjet transparency negative on Ilford Multigrade Art 300 FB paper, chemically toned in cobalt

100 x 60cm

Untitled

2012

Silver gelatin print from digitally manipulated inkjet transparency print on Ilford Multigrade Art 300 paper, chemically toned in copper

110 x 70cm

Mother-naked (coral)

2012

Silver gelatin print from inkjet transparency negative on Ilford Multigrade IV RC paper, bars from photocopying machine, magnets

200 x 134cm

When Like Breeds Like and Familiarity Breeds Contempt

2012

Silver gelatin print from digitally manipulated inkjet transparency negative on Ilford Multigrade Art 300 FB paper

122 x 180cm

The Confounding Mystery Of The Passage Of the Revelation Into The Mist Of Legend

2010

Gesso and oil on found object (card table)

44.5 x 61.5cm

Crooked Wood

2010

Oil and gesso on canvas

 

Drink Deep Or Taste Not The Plasma Spring

2010

Digital print on porcelain

13 x 10cm

You Cannot Eat an Image and an Image Cannot Eat You

2011

Silver gelatin print of englarged, digitally manipulated transparency negatives on Ilford Multigrade IV RC paper in four sections

144 x 188cm

Solid Body

2011

Silver gelatin print from digitally manipulated inkjet transparency negative on Ilford Multigrade IV RC paper

90 x 70cm

Worm is to Flesh as Flesh is to Worm

2010

Digital painting on scanned photographic original, inkjet print mounted on foamcore

170 x 133xm

Pain into Pleasure, Grief into Glory

2011

Silver gelatin photogram on Ilford Multigrade IV RC paper

30 x 40cm

The Merry Cemetery

2011

Silver gelatin photogram on Ilford Multigrade IV RC paper

83 x 70cm

Nothing Has Ever Been Square Because Nothing Has Ever Been Straight

2011

Silver gelatin photogram on Ilford Multigrade IV RC paper

68 x 70cm

Carcass

2009

Gesso and graphite on archival box

65 x 80 x 18cm

Great Originals Die Like Romantic Heroes

2009

Oil and gesso on found print of a photograph of a room in the house of the Russian collector Morozov

One Would Almost Swear I Possess The Real Quality Of Subtle Vegetable Material

2009

63 x 53.5cm

Oil on appropriated framed Tretchikoff print

Motion of the Flesh, Path of the Fibre, Course of the Blood

2010

Framed Epson print mounted on foamcore of digital painting on scanned photographic original

240 x 164cm

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